Nova

 

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Comfort is very important to me. I think people live better in big houses and in big clothes. I have a fantastic relationship with money. I use it to buy my freedom. I like the body. I like to design everything to do with the body. I like the body. I like to design everything to do with the body. I think it’s the responsibility of a designer to try to break rules and barriers.

I have a fantastic relationship with money. I use it to buy my freedom. Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they’re doing it for the love of art, I say: Get real. I try to contrast; life today is full of contrast… We have to change. I like the body. I like to design everything to do with the body. I try to contrast; life today is full of contrast… We have to change.

• Comfort is very important to me. 
• I think people live better in big houses and in big clothes. 
• Comfort is very important to me. 
• I think people live better in big houses and in big clothes. 
• I think it’s the responsibility of a designer to try to break rules and barriers. 
• I have a fantastic relationship with money.
• I use it to buy my freedom. 
• I have a fantastic relationship with money. 
• I use it to buy my freedom.
• I think people live better in big houses and in big clothes. 

Women are more sure of themselves today. They don’t have to emulate the way men dress. Comfort is very important to me. I think people live better in big houses and in big clothes. I try to contrast; life today is full of contrast…

We have to change. Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they’re doing it for the love of art, I say: Get real. That is the key of this collection, being yourself. Don’t be into trends. Don’t make fashion own you, but you decide what you are, what you want to express by the way you dress and the way to live.

Comfort is very important to me. I think people live better in big houses and in big clothes. I have a fantastic relationship with money. I use it to buy my freedom. I like the body. I like to design everything to do with the body. I like the body. I like to design everything to do with the body. I think it’s the responsibility of a designer to try to break rules and barriers.


I have a fantastic relationship with money. I use it to buy my freedom. Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they’re doing it for the love of art, I say: Get real. I try to contrast; life today is full of contrast… We have to change. I like the body. I like to design everything to do with the body. I try to contrast; life today is full of contrast… We have to change.

Comfort is very important to me. I think people live better in big houses and in big clothes.VERA WANG

Women are more sure of themselves today. They don’t have to emulate the way men dress. Comfort is very important to me. I think people live better in big houses and in big clothes. I try to contrast; life today is full of contrast… We have to change. Even Michelangelo got paid for doing the Sistine Chapel. To those artists who say they’re doing it for the love of art, I say: Get real. That is the key of this collection, being yourself. Don’t be into trends. Don’t make fashion own you, but you decide what you are, what you want to express by the way you dress and the way to live.

I truly believe that philanthropy and commerce can work together. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. Everything I do is a matter of heart, body and soul. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. Design and style should work toward making you look good and feel good without a lot of effort so you can get on with the things that matter.

I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. I design from instinct. It’s the only way I know how to live. What feels good. What feels right. What is needed. Give me a problem and I will approach it creatively, from my gut. Delete the negative; accentuate the positive! I truly believe that philanthropy and commerce can work together. I believe in comfort. If you don’t feel comfortable in your clothes, it’s hard to think of anything else.

Age and size are only numbers. It’s the attitude you bring to clothes that make the difference. I believe in comfort. If you don’t feel comfortable in your clothes, it’s hard to think of anything else. Design and style should work toward making you look good and feel good without a lot of effort so you can get on with the things that matter. Delete the negative; accentuate the positive! Design and style should work toward making you look good and feel good without a lot of effort so you can get on with the things that matter.

Design and style should work toward making you look good and feel good without a lot of effort so you can get on with the things that matter. It’s really easy to get colors right. It’s really hard to get black – and neutrals – right. Black is certainly a color but it’s also an illusion. Everything I do is a matter of heart, body and soul. Design is a constant challenge to balance comfort with luxe, the practical with the desirable. I truly believe that philanthropy and commerce can work together.

I never look at other people’s work. My mind has to be completely focused on my own illusions. My relationships with producers or photographers – these are relationships that took years.
There has to be a balance between your mental satisfaction and the financial needs of your company. Give me time and I’ll give you a revolution. My relationships with producers or photographers – these are relationships that took years. My relationships with producers or photographers – these are relationships that took years. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore.

I want people to be afraid of the women I dress. I can’t get sucked into that celebrity thing, because I think it’s just crass. Give me time and I’ll give you a revolution. My relationships with producers or photographers – these are relationships that took years. I want people to be afraid of the women I dress.

When I was young, I lived like an old woman, and when I got old, I had to live like a young person. Beauty is perfect in its imperfections, so you just have to go with the imperfections. Fashion can be this mysterious thing that you can’t explain. Attitude is everything. Fashion can be this mysterious thing that you can’t explain.

The important thing is to take your time and not get stressed. Attitude is everything. When I was young, I lived like an old woman, and when I got old, I had to live like a young person. When I was young, I lived like an old woman, and when I got old, I had to live like a young person. Beauty is perfect in its imperfections, so you just have to go with the imperfections.

Go to a place where you’re not going to be stressed, because a honeymoon itself can be a stressful thing. When I was young, I lived like an old woman, and when I got old, I had to live like a young person. When I was young, I lived like an old woman, and when I got old, I had to live like a young person. Go to a place where you’re not going to be stressed, because a honeymoon itself can be a stressful thing. Attitude is everything.

Fashion can be this mysterious thing that you can’t explain. The important thing is to take your time and not get stressed. Attitude is everything. Fashion can be this mysterious thing that you can’t explain. Fashion can be this mysterious thing that you can’t explain.

I never look at other people’s work. My mind has to be completely focused on my own illusions.
There has to be a balance between your mental satisfaction and the financial needs of your company. Give me time and I’ll give you a revolution. My relationships with producers or photographers – these are relationships that took years. My relationships with producers or photographers – these are relationships that took years. I think the idea of mixing luxury and mass-market fashion is very modern, very now – no one wears head-to-toe designer anymore.

I want people to be afraid of the women I dress. I can’t get sucked into that celebrity thing, because I think it’s just crass. Give me time and I’ll give you a revolution. My relationships with producers or photographers – these are relationships that took years. I want people to be afraid of the women I dress.

There has to be a balance between your mental satisfaction and the financial needs of your company. I never look at other people’s work. My mind has to be completely focused on my own illusions. I can design a collection in a day and I always do, cause I’ve always got a load of Italians on my back, moaning that it’s late. Give me time and I’ll give you a revolution. There has to be a balance between your mental satisfaction and the financial needs of your company.